Oriana Oakleigh and the Primrose Path WR Cooper 9781616632670 Books
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In the quiet of Wessex's Oakleigh Manor, young Oriana knows nothing of the troubles plaguing far-off Faërie, but her sheltered existence is fast coming to an end. Possessed of burgeoning powers she can neither control nor comprehend, Oriana finds herself taken to worlds beyond her own where she comes face-to-face with the dreaded Lych-priest of Malgorod!Along the way, Oriana is met by some difficult decisions and unexpected peril and, in the end, is asked to sacrifice the one thing she desires most. In her choices reside not only the fate of her world but that of the Faërie realm too! Will Oriana Oakleigh be able to stave off the Lych-priest and accept her role in the future of Faërie, or will she be devoured by the Primrose Path?Join new author W. R. Cooper in Oriana Oakleigh and the Primrose Path the first book in this epic historical fantasy series set against a backdrop of war-torn Saxon England. At once thrilling, humourous, and provocative, the magic, mythology, and threat of spreading industrial despair found within the pages of Oriana Oakleigh and the Primrose Path will throw you into the action and keep you on the edge of your seat, hoping beyond hope that Oriana will find the answers needed to save the imprisoned Faërie queen before it's too late.
Oriana Oakleigh and the Primrose Path WR Cooper 9781616632670 Books
Storytelling has been one of the most powerful and informative tools man has known from our earliest stages of development. This particular form of giving and receiving of information about life, the world around us, rewards and dangers that lay before us, and lessons to be learned from the triumphs and mistakes made by the characters in fables, parables, fiction and non-fiction can profoundly alter and influence the decisions we make today. As we progress through time, such information, albeit real or a construct of the imagination, brings new insight into our own understanding of who we are as individuals, our place and purpose in life, on Earth, and the challenges we face as members of the human species. From Mother Goose to Shakespeare, Charles Dickens to H.G. Wells, there is always a lesson to be learned about the impact we have on others, ourselves, our society, and our environment. The adventures and questions storytelling presents to us, the choices and destinies to be made and fulfilled by the heroes and heroines of folklore, command our attention and forces us to evaluate and ultimately formulate the decisions we make that shape our tomorrows.Where authors of such futuristic fictional tales as Ray Bradbury's "Fahrenheit 451", or George Orwell's "1984", looked forward to convey a warning against the unpleasant and ultimate conclusion our present actions present on our own personal sense of humanity; mankind's spiraling descent into rigid conformity and therefore the loss of humanity (ultimately regaining it by the return to nature; particularly in the case of Fahrenheit 451) W.R. Cooper's "Oriana Oakleigh and the Primrose Path" poses a similar scenario, but in this case from a past perspective, culminating in the final result of humanity's present condition, as a result of our impact on nature.
Mr. Cooper has chosen to combine a blend of a fantastical, mythical realm of lore and legend with a world of historic locations and religious transitioning of the past into an ultimate environmental statement about the present and future state of nature at the hand of man's progression. Cooper's deliberate melding of history with mythology grounds the tale of Oriana Oakleigh (the story's protagonist) into a peculiar reality the reader can easily visualize and ultimately identify with in terms of the moral questions it presents in regards to belief systems, progress, and environmental responsibility.
Set in Saxon England during the reign of King Alfred, Oriana Oakleigh lives a life of guarded privilege in Wessex's Oakley Manor. She is a gifted, kind, even tempered young lady, well beloved by those around her. Referred by others in the village as "The Flower of Oakley Manor", it is clear Oriana is enamored by all who know and are aware of her. It is also clear that Oriana isn't all that she seems. With eyes of green and a slightly, almost imperceptible elfish quality, Oriana is plagued with mysterious visions and heartbroken at the mysterious loss of her father. Unknowingly to her, the only link to her true nature resides in a small wooden box (or casket), carved with both Druidic and Latin inscriptions, and etched with depictions of "the great reconciliation between the wielders of Worldsong and the New Faith", as well as "Man's sin and dominion". The wooden box was commissioned before her birth by King Gwynap Nudd, the King of Faerie, for the Druid Melchoir to construct and deliver upon Nudd's return to take both box and baby Oriana to the Human realm where she would be taught and immersed into the mortal world.
Oriana's sheltered existence is close to an end. Whispers of mysterious activity in the surrounding area begin to stir of a `master being' rising from the shadows of Malgorod to slay the lands, and so Oriana's journey to save both the world of Man and the world of Faerie begins.
Oriana's strange and inexplicable visions begin to take a stronger hold upon her. A delicately woven tapestry in her room at Oakley Manor, of a Hawthorne tree, a white stag, and a bridge between them slowly takes shape and begins to come to life. The White Stag is known as Lord Whitethorn, and is Oriana's guide she must follow through the central conflict of the story. European mythology depicts the white stag as light and goodness, but can also herald a journey, an impetus to quest. In Christian iconography, the white stag may also represent Christ or God. Based upon knowledge gleamed from the Stag's songs and poems, in addition to her own instinctive impulses, Oriana must make a series of choices in order to rescue the Faerie Queen and save both the realm of man and that of Faerie. The name Oriana in Latin means "Rising". In Irish, the name means "Dawn" or "Gold". She is literally the Rising Golden Dawn for her world.
Throughout the book, both Oriana herself and the world in which she exists, is clearly in a state of transition. The progress of man is taking root in her world for better or worse. The world of Druidic/Celtic religious iconography and beliefs in tree spirits, fairies, goblins, and other European mythological entities such as the Liche, Koschei the Deathless; the undead overlord of dark sorcery who seeks power and immortality from the underworld, all are beginning to give way a more Christian ideology of monotheism. Physical requirements were changing at a rapid pace as well. Agriculture, ceremonial festivals at Sycamore Henge, star charting, even physical activity and the woods of Selwood Forest are now threatened by the slow and eventual progression of man toward more aggressive forms of subsistence and their negative impact on his environment (toxic waste and mounds of tires and trash). Oriana is a girl born striding the cusp of two separate yet connected worlds, belonging equally to both, where the future well-being of mankind is effected by decisions made in both the past and present.
As for religious belief and transition; the first signs of Christian presence in Britain were visible as early as the third century A.D, but the order of Pagan priests known as the Druidic Order existed meanwhile, acting as a unifying force for the Celts. The Druid priests functioned as bards, interpreters of sacrifice, natural philosophers, intermediaries with the gods, and practitioners of magic and ritual.
It is often assumed that the religious and sacred life of Celts altered radically with the introduction of Christianity. However, this was certainly not the case at all. Most saints, who were usually of the upper classes, were once druids. Many sacred pagan places were retained as Christian sites. Pagan temples became Celtic churches, and churches were built atop pagan places of worship. Pagan Celts always possessed a strong tie to the land and to nature, believing the land itself is a living entity and it's anima loci, or "place-soul", which the `being' or essence of a location existed (i.e.: in rock, springs, or mountains). With the initial influence of Christianity into the Celtic region, early sites for Christian worship were selected using similar techniques that recognized the anima loci. Most early sites for churches were built upon circular sites, akin to druidic practices rather than rectangular formations commonly influenced through Roman construction. The best example of this would be the Knowlton Church, which was built within a prehistoric circular henge and recorded in the Domesday Book of 1086-87 as Chenoltone. Pagan Druidic places of spirituality were not destroyed by the new Celtic Christianity, but rather absorbed by and utilized by the new faith of Christ.
One example of the precarious relationship of man's progress, existence and survival and the effect of nature's balance and unpredictability are clearly evident, going further back in history as the Paleolithic (or Old Stone Age) was giving rise to the Neolithic (or New Stone Age). The increased methodology for agricultural and hunting, had increased benefits and unforeseen consequences. Permanent human settlements did not begin appearing until the dawn of the Neolithic period, whereas previous Paleolithic people were known to be primarily nomadic in nature. The Paleolithic diet consisted mainly of fruits, meat, fish, shellfish, leafy vegetables, nuts and insects in varying proportions. With little tools of advancement available until the Upper Paleolithic period, possibly not until the Neolithic Period, competing anthropological theories suggest the Paleolithic diet consisted mainly of tubers (underground plant storage organs). In addition, the Paleolithic migration involved a substantial geographic expansion. While Lower Paleolithic people were thought to be constrained to the Great Rift Valley of Africa, Middle and Upper Paleolithic humans greatly expanded their areas of settlements reaching as diverse as New Guinea and Alaska, adapting their diets to the specific region of settlement.
With the onset of the Neolithic Age, signs of advancement could already be seen. Hunting and fishing tools, such as; fishing hooks, nets, bows, and poisons, were being utilized to increase the food yield. The far-reaching shift in human subsistence and lifestyle occurred significantly where crop farming and cultivation were developed. Where Paleolithic humans were nomadic, hunter-gatherers, the increasing reliance of food produced on cultivated land had begun. These developments are greatly thought to have brought about the first settlements, later to give way to towns, cities, and states where larger populations could be maintained upon the specific cultivated crops. The increasing sophistication of farming techniques used brought on the added benefit of crop yield surplus, and food storage. The securities brought on by the agricultural life brought on more growing populations than the nomadic life could.
However, early farmers were also adversely affected by famine brought on by drought and pests. In instances where the new forms of agriculture had become a predominant form of existence, the sensitivity of such food shortages made for an indelible blow to the populations of these communities in a way that might not have affected nomadic tribes. No doubt, such famines and drought were messages from the gods.
Both the religious transition of the Druids towards Christianity, and the example of the formation of agrarian societies are but two wide and varied examples that were brought to mind while reading W.R. Cooper's fantasy tale. On the surface, the story is a classic good versus evil, with the fate of the world in the hands of the young hero (in this case, Oriana). A closer examination of the historic time in which it takes place and questioning "what it must feel like to live during a period where the lines of fantasy lore and reality touch, where life hangs on the balance of the seasons, and the breathe of a new faith is making its presence known" is intriguing. This is where W.R. Cooper succeeds in the questions it poses and leaves for us to decide on the outcome.
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Oriana Oakleigh and the Primrose Path WR Cooper 9781616632670 Books Reviews
This book was by far a most interesting work, I completely enjoyed it. I am a fan of historical fiction, I also enjoy mythological pieces; this book has a lot to offer. Oriana was a great choice as a protagonist, especially since the book was set in the time period of the Middle Ages. One would expect a male as the protagonist, but Mr. Cooper took things to an entirely different level with a heroine.
Oriana is inquisitive and unique for a girl of her stature in society. She has a heart of gold and wants to work beside her people. However, Oriana is not who she thinks she is. She is neither of this realm nor of this family as we learn. She has trances and the others who are serving as her guardians know something is not right with her. She is not like them. Her best friend Penda is of lower class and is supposed to be more of a servant, but Oriana sees them as friends and nothing more. It would have been nice to have had Penda be more than just a static character in the book. I feel he could have indeed helped Oriana with her quest or even had someone in the Faerie realm resemble him.
While the story does take place in the Middle Ages, its central location is one of English influence. This allows one to see why Faerie is so important to the conflict and plot. The setting helps drive the plot forward, allowing Oriana to go to the places she does and see what she sees. She has to follow the white stag, she has no choice. It is on her journey with the stag that we start to uncover the central conflict of the story. She must make choices to save her world and the world of man to keep them from being destroyed. It's these choices that drive her to question everything, to be on guard, and to follow in her heart what she knows would be the right thing to do. The internal conflicts are difficult for her, yet she is able to make wise choices with her knowledge and the knowledge she gains from Whitethorn's poems or songs.
It is her use of free will that drives the choices she makes. She accepts becoming the bride of Dragaica, and in doing so, sets the Mundi Rediendum in motion. She must then battle "the one" who we learn later is a minion of the devil himself. We learn that the devil has chosen, Koschei, an evil monster from mythology that terrorizes young women as his servant to fight Oriana. In mythology we know this creature cannot be killed, which is why the fairies can only snare him in a sphere, giving Oriana some time to understand what is happening. She learns that this is her destiny, her path, but only she can make the choice. She doesn't have to do it.
Along Oriana's journey we meet Lord Whitethorn, the whit stag of Oriana's tapestry. He is to be her guide, her heorot. In European mythology, we learn that the white stag plays the role of light and goodness. He announces a change that will occur in the life of those he meets. For Oriana, it is not something she foresees and she is scared of what she has to do. The stag or Lord Whitethorn also shows us of Oriana's innocence. He is seen as purity and light. He is to represent the journey or quest that Oriana must embark upon if she is to save the Faerie queen and her world. It is not unusual that this creature is in this story as it has been seen in many stories and in many country's mythologies. It has even been linked to the stories of King Arthur. Some might even conclude that the stag himself could represent God in this story as we learn it is man's betrayal of God that causes the hardships that we are to endure.
As Oriana seeks her answers she is presented with many different visions, like that of Eve eating the forbidden fruit and the Neolithic man no longer thanking God but showing blasphemy as they tell him they no longer need him. They can fend for themselves. They can grow it and harvest it. It is this environmental degradation that leads them to destroying the rest of the world. It is this thought, or scene, that must have caused the Festering fens and the ruin of the Primrose Path. However, Oriana must try to work through these images and notions in order to ascertain the truth behind it all. She must make the ultimate sacrifice and give up what she wants most in life in order to save mankind and the world of Dunuvia.
Yet it all falls back on the thought of Christianity in the book. During this time period, we know the church played a huge role in the life of the people. It held the power and the knowledge, as well as control. So it is no wonder see many thoughts of the church spun throughout the novel. We know that these people believe in God and all he has to offer them. They would not abandon him. Oriana won't forget her teachings either. It is no wonder the author chose to incorporate a white stag, an almost Christ-like symbol to help Oriana on this path of enlightenment. It is also no surprise that we see symbols of the four horsemen of the apocalypse present and Lucifer himself being called upon. What is interesting with this in mind is that they are intertwined with mythology, something that only the poor would believe in. Oriana even says in the novel that the tales of the peasants must be true based on what she is seeing and hearing on her quest.
What I find most interesting in the story is the use of Oriana herself. It was surprising to have a heroine in the story especially since it was one that was set in time of the Middle Ages in feudal England. One does not expect that to happen when women and men had certain roles they were to play in society. So it was a great surprise indeed for our little teenage girl to become the swan warrior, another symbol of purity, to become the one to have to fight evil. However, after doing some research, I discovered that Oriana was indeed the most logical choice for the task. I discovered that her name in Irish means "blonde, golden" and in Latin it means "rising". With that said, it is no wonder she was chosen to be the crusader for Faeire. She was to be their "rising sun", their eternal "hope" if you will. I also discovered that this was a nickname for Queen Elizabeth I (a person I greatly admire; if I could be a historical person for one day, I would choose her), another great way to tie the story to the roots of England.
All in all I was very impressed with the book. It drove me to think and do research on some things I was not familiar with. I was pleased at having a female play the part of the savior, yet shocked at this too. It is easy to see the church's role in this society and in their stories. I am glad I chose the task of reading this book; it has been an enjoyment as well as a deepening experience!
It's not my cup-of-tea (I like science fiction more than fantasy), but it reads well and smoothly progresses from one chapter to the next. If you are an historical fantasy buff I can see where you would like the symbolism-logy of the detailed descriptions of beings and their activities throughout the pages. All manner of scenes are described and the ancient rituals found in the whole are very close to what facts have been outlined in anthology texts of the Saxon cultures of early Britain.
I absolutely enjoyed reading this book. It didn't leave me wondering what was going to happen next like other books sometimes do. I like reading fantasy books and this book definitely filled that spot. It wasn't hard to understand like other books based on the same subject. It even has the notes at the bottom so you know what the author is trying to say. The hero in this book is a teenage girl, that doesn't happen often either. Most of all, I like the fact that the author is planning on writing more to continue Oriana's journey.
Storytelling has been one of the most powerful and informative tools man has known from our earliest stages of development. This particular form of giving and receiving of information about life, the world around us, rewards and dangers that lay before us, and lessons to be learned from the triumphs and mistakes made by the characters in fables, parables, fiction and non-fiction can profoundly alter and influence the decisions we make today. As we progress through time, such information, albeit real or a construct of the imagination, brings new insight into our own understanding of who we are as individuals, our place and purpose in life, on Earth, and the challenges we face as members of the human species. From Mother Goose to Shakespeare, Charles Dickens to H.G. Wells, there is always a lesson to be learned about the impact we have on others, ourselves, our society, and our environment. The adventures and questions storytelling presents to us, the choices and destinies to be made and fulfilled by the heroes and heroines of folklore, command our attention and forces us to evaluate and ultimately formulate the decisions we make that shape our tomorrows.
Where authors of such futuristic fictional tales as Ray Bradbury's "Fahrenheit 451", or George Orwell's "1984", looked forward to convey a warning against the unpleasant and ultimate conclusion our present actions present on our own personal sense of humanity; mankind's spiraling descent into rigid conformity and therefore the loss of humanity (ultimately regaining it by the return to nature; particularly in the case of Fahrenheit 451) W.R. Cooper's "Oriana Oakleigh and the Primrose Path" poses a similar scenario, but in this case from a past perspective, culminating in the final result of humanity's present condition, as a result of our impact on nature.
Mr. Cooper has chosen to combine a blend of a fantastical, mythical realm of lore and legend with a world of historic locations and religious transitioning of the past into an ultimate environmental statement about the present and future state of nature at the hand of man's progression. Cooper's deliberate melding of history with mythology grounds the tale of Oriana Oakleigh (the story's protagonist) into a peculiar reality the reader can easily visualize and ultimately identify with in terms of the moral questions it presents in regards to belief systems, progress, and environmental responsibility.
Set in Saxon England during the reign of King Alfred, Oriana Oakleigh lives a life of guarded privilege in Wessex's Oakley Manor. She is a gifted, kind, even tempered young lady, well beloved by those around her. Referred by others in the village as "The Flower of Oakley Manor", it is clear Oriana is enamored by all who know and are aware of her. It is also clear that Oriana isn't all that she seems. With eyes of green and a slightly, almost imperceptible elfish quality, Oriana is plagued with mysterious visions and heartbroken at the mysterious loss of her father. Unknowingly to her, the only link to her true nature resides in a small wooden box (or casket), carved with both Druidic and Latin inscriptions, and etched with depictions of "the great reconciliation between the wielders of Worldsong and the New Faith", as well as "Man's sin and dominion". The wooden box was commissioned before her birth by King Gwynap Nudd, the King of Faerie, for the Druid Melchoir to construct and deliver upon Nudd's return to take both box and baby Oriana to the Human realm where she would be taught and immersed into the mortal world.
Oriana's sheltered existence is close to an end. Whispers of mysterious activity in the surrounding area begin to stir of a `master being' rising from the shadows of Malgorod to slay the lands, and so Oriana's journey to save both the world of Man and the world of Faerie begins.
Oriana's strange and inexplicable visions begin to take a stronger hold upon her. A delicately woven tapestry in her room at Oakley Manor, of a Hawthorne tree, a white stag, and a bridge between them slowly takes shape and begins to come to life. The White Stag is known as Lord Whitethorn, and is Oriana's guide she must follow through the central conflict of the story. European mythology depicts the white stag as light and goodness, but can also herald a journey, an impetus to quest. In Christian iconography, the white stag may also represent Christ or God. Based upon knowledge gleamed from the Stag's songs and poems, in addition to her own instinctive impulses, Oriana must make a series of choices in order to rescue the Faerie Queen and save both the realm of man and that of Faerie. The name Oriana in Latin means "Rising". In Irish, the name means "Dawn" or "Gold". She is literally the Rising Golden Dawn for her world.
Throughout the book, both Oriana herself and the world in which she exists, is clearly in a state of transition. The progress of man is taking root in her world for better or worse. The world of Druidic/Celtic religious iconography and beliefs in tree spirits, fairies, goblins, and other European mythological entities such as the Liche, Koschei the Deathless; the undead overlord of dark sorcery who seeks power and immortality from the underworld, all are beginning to give way a more Christian ideology of monotheism. Physical requirements were changing at a rapid pace as well. Agriculture, ceremonial festivals at Sycamore Henge, star charting, even physical activity and the woods of Selwood Forest are now threatened by the slow and eventual progression of man toward more aggressive forms of subsistence and their negative impact on his environment (toxic waste and mounds of tires and trash). Oriana is a girl born striding the cusp of two separate yet connected worlds, belonging equally to both, where the future well-being of mankind is effected by decisions made in both the past and present.
As for religious belief and transition; the first signs of Christian presence in Britain were visible as early as the third century A.D, but the order of Pagan priests known as the Druidic Order existed meanwhile, acting as a unifying force for the Celts. The Druid priests functioned as bards, interpreters of sacrifice, natural philosophers, intermediaries with the gods, and practitioners of magic and ritual.
It is often assumed that the religious and sacred life of Celts altered radically with the introduction of Christianity. However, this was certainly not the case at all. Most saints, who were usually of the upper classes, were once druids. Many sacred pagan places were retained as Christian sites. Pagan temples became Celtic churches, and churches were built atop pagan places of worship. Pagan Celts always possessed a strong tie to the land and to nature, believing the land itself is a living entity and it's anima loci, or "place-soul", which the `being' or essence of a location existed (i.e. in rock, springs, or mountains). With the initial influence of Christianity into the Celtic region, early sites for Christian worship were selected using similar techniques that recognized the anima loci. Most early sites for churches were built upon circular sites, akin to druidic practices rather than rectangular formations commonly influenced through Roman construction. The best example of this would be the Knowlton Church, which was built within a prehistoric circular henge and recorded in the Domesday Book of 1086-87 as Chenoltone. Pagan Druidic places of spirituality were not destroyed by the new Celtic Christianity, but rather absorbed by and utilized by the new faith of Christ.
One example of the precarious relationship of man's progress, existence and survival and the effect of nature's balance and unpredictability are clearly evident, going further back in history as the Paleolithic (or Old Stone Age) was giving rise to the Neolithic (or New Stone Age). The increased methodology for agricultural and hunting, had increased benefits and unforeseen consequences. Permanent human settlements did not begin appearing until the dawn of the Neolithic period, whereas previous Paleolithic people were known to be primarily nomadic in nature. The Paleolithic diet consisted mainly of fruits, meat, fish, shellfish, leafy vegetables, nuts and insects in varying proportions. With little tools of advancement available until the Upper Paleolithic period, possibly not until the Neolithic Period, competing anthropological theories suggest the Paleolithic diet consisted mainly of tubers (underground plant storage organs). In addition, the Paleolithic migration involved a substantial geographic expansion. While Lower Paleolithic people were thought to be constrained to the Great Rift Valley of Africa, Middle and Upper Paleolithic humans greatly expanded their areas of settlements reaching as diverse as New Guinea and Alaska, adapting their diets to the specific region of settlement.
With the onset of the Neolithic Age, signs of advancement could already be seen. Hunting and fishing tools, such as; fishing hooks, nets, bows, and poisons, were being utilized to increase the food yield. The far-reaching shift in human subsistence and lifestyle occurred significantly where crop farming and cultivation were developed. Where Paleolithic humans were nomadic, hunter-gatherers, the increasing reliance of food produced on cultivated land had begun. These developments are greatly thought to have brought about the first settlements, later to give way to towns, cities, and states where larger populations could be maintained upon the specific cultivated crops. The increasing sophistication of farming techniques used brought on the added benefit of crop yield surplus, and food storage. The securities brought on by the agricultural life brought on more growing populations than the nomadic life could.
However, early farmers were also adversely affected by famine brought on by drought and pests. In instances where the new forms of agriculture had become a predominant form of existence, the sensitivity of such food shortages made for an indelible blow to the populations of these communities in a way that might not have affected nomadic tribes. No doubt, such famines and drought were messages from the gods.
Both the religious transition of the Druids towards Christianity, and the example of the formation of agrarian societies are but two wide and varied examples that were brought to mind while reading W.R. Cooper's fantasy tale. On the surface, the story is a classic good versus evil, with the fate of the world in the hands of the young hero (in this case, Oriana). A closer examination of the historic time in which it takes place and questioning "what it must feel like to live during a period where the lines of fantasy lore and reality touch, where life hangs on the balance of the seasons, and the breathe of a new faith is making its presence known" is intriguing. This is where W.R. Cooper succeeds in the questions it poses and leaves for us to decide on the outcome.
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